Weekly Digest 2
Links
- Reviving rural railways with Monocab. This transport technology looks really cool. I can’t see it coming the Britain any time soon (our network is still largely non-electrified), but with public ownership of the railways just around the corner according to Starmer, who knows.
- A Lesson From the Gymnasium. I enjoyed this post from Greg Morris sharing some wisdom from Marcus Aurelius.
- CNN disgraces itself over Gaza. Owen Jones continuing to expose the media over its coverage of the atrocity in Gaza.
- Simple, non-commercial, open source notes. I saw this when it first came out but was reminded of it earlier and how great it is. For those who love plaintext note-taking solutions — a highly entertaining trip down a rabbit hole.
Cooking
- Vegan Lachmajou. One of my favourite recipes. Super quick, high protein, with simple ingredients. Enjoy with flatbread, hummous, and a salad of finely diced tomatoes, cucumber, and perhaps vegan feta.
Up to much else?
- I’ve been coding this week in my free time, so there’s not a lot of stuff here. I’ll be posting what I made soon.
- Finished laying plywood upstairs. Next is to get down the underlay.
- Did gardening for the first time. Dug out a space and put in a raised bed.
- Crossword is nearly finished, hoping to publish soon.
- Next week I’m running an Only Connect quiz at school.
That’s all for this week, thanks for reading.
Just done my first bit of gardening that’s not mowing or weeding
In Praise Of A Little Camera
I had a blast trying the micro.blog 30-day photo challenge (link is to all entries — mine are here. I decided to play with a self-constraint: despite owning a Canon DSLR, I decided to only use photos from my Lumix LX100.
The LX100 is a fixed-lens, compact camera from 2014. It has a micro four-thirds sensor (I guess that’s appopriate for a micro.blog challenge?) with an output resolution of approximately 12MP depending on the selected aspect ratio. Its Leica-made zoom lens has a focal range of 24-75mm (FF-equivalent) and attains f/1.7 at its widest.
Despite it being an old, small-sensored, and relatively low-resolution camera, I absolutely love it. It was my first “proper camera” (barring a Pentax K1000 I had as a child), acquired second-hand during the first lockdown for about £250. Although I have only been taking pictures as a hobbyist for only a few years, and am nowhere close to being an actually good photographer, I think many of the pictures this camera and I have produced together are very Okay, and a couple may even be Quite Good.
In design, it’s essentially a poor man’s Fujifilm X100-series camera, with a zoom rather than prime lens and no built-in flash. It uses similar “retro” physical dials and rings for controlling exposure, has an electronic viewfinder rather than the X100-series' fancy hybrid, and is quite a bit smaller.
This size advantage is key — in most cases, it’s still the camera I reach for over 90% of the time. It’s easier to carry, and less intrusive in social environments. I know how to use it inside-out, with everything set just the way I like it. The design, as well as the number of settings, makes it clear this is a compact camera for a “serious” enthusiast. The dials and rings are an invitation to shoot with intention, and not just “point-and-shoot” – the usual name for the market in which cameras of this size compete.
12 mega-pixels sounds very small by today’s standards. But 12MP is twelve million pixels. My laptop screen is around two million pixels. How many pixels does a non-professional photographer really need? I’ve never made a print bigger than my laptop screen either. The pain only comes if you need to crop an image. One of my biggest photographic regrets is that Day 17: transcendence was taken from too far away and I had to crop — the resolution does suffer a bit here.
The micro four-thirds sensor is basically fine for everyday shooting. I don’t need ultra-fine control of depth-of-field for most scenes, and in fact the increased DoF means I rarely miss focus (which can’t be said when I’m using the full-frame DSLR…). I also get a zoom from 24 to 75mm with a lens about 7cm long.
The only real drag of this camera is that the zoom lens’s mechanism sure loves to eat dust, and being a fixed-lens camera, there’s no way to clean the dust from the sensor without disassembling the camera. This happens a lot, though it’s usually not too visible unless you’re stopped down to f/11 or beyond — you can see it clearly in Day 11: sky.
Would I really like an X100VI? Of course I would. But I don’t have two thousand pounds to spend on an out-of-stock-everywhere camera. And that’s fine. A £250 everyday-carry is fine. I’ve not outgrown it in terms of skill. I’d even guess learning on an older, cheaper camera has been good for pushing me to develop my skills. You really don’t need an expensive camera to get into photography. Just get an affordable camera that’s small enough you’ll actually take it with you, used with intention. I hear some phones have cameras these days, so you could use one of those as well. It’s just about shooting with intention.
The games in my backlog these days are ones that are supposed to have profound themes that I just don’t have time to give the attention they deserve
Day 30: hometown
Though there are many downsides as well, I’m lucky enough to have been brought up in one of the prettiest towns in this country
Day 29: drift
Weekly Digest
Trialing a new format.
Links
This week we have a bunch of lefty links.
- The Forest and The Factory by Phil A. Neel and Nick Chavez. Long, occasionally whimsical essay on a question that is often overlooked in utopian post-capitalist imaginaries — how do things actually get produced? In particular — how are things produced at scale? Neel and Chavez identify as communists, but even if you don’t like that word there is much to be learned here for anyone interested in imaginaries like eco-socialism, degrowth, social ecology, solarpunk and so on. Link to Chavez’s website
- Mother Trees and socialist forests: is the “wood-wide web” a fantasy? by Daniel Immerwahr. The idea that trees are altruistic and can share resources and information has gained a lot of traction recently, sometimes in eco/leftist discourse as part of a project to naturalise peace and cooperation. But I’ve always found it farfetched, and this article seems to agree.
- We Live In An Age Of “Vulture Capitalism”. Interview with economics writer Grace Blakeley. Some interesting discussion about why “state” vs “market” is the wrong debate.
Reading
Roadside Picnic by Arkady & Boris Strugatsky. Gripping Soviet-era sci-fi novel that the Stalker film and S.T.A.L.K.E.R games are based on.
Listening
The Airborne Toxic Event by the band of the same name. I’d not listened to this band in years. Brilliant album, with the standout track Sometime Around Midnight being one of the best sad songs of the 00s.
Watching
- Watched Into The Congo with Ben Fogle this week. Fogle visits Congo-Brazzaville, and spends time with many interesting peoples and people, including Mbenjele hunter-gatherers, the fashion-loving Sapeurs, and stars of the absolutely bananas Congolese wrestling scene. I have a dear friend originally from Congo (hi if you’re reading!), so it was nice to learn a little more about his country.
- Watched Britain’s Got Talent for the first time in over a decade. Saturday night family entertainment is a thing now, I guess.
Up to much else?
- We’ve been laying plywood underfloor upstairs in our house ready to hopefully get some proper flooring soon.
- Final parents' evening of the year was on Thursday. It went fine, despite me being a bit worried about it.
- Made a bit of progress toward my next crossword for mycrossword.co.uk. I’ve not set one for months, and they take me so long to construct.
Day 27: surprise
Day 26: critter
Day 25: spine
Day 24: light
Day 23: dreamy
Day 22: blue
I’ve been experimenting with this approach to lesson planning recently. Impact on students remains to be seen. Impact on me so far: very positive. More efficient, less wasted planning, more enjoyable to plan.
Day 21: mountain
Himalayan
The Guardian’s new quick cryptic series is aimed at those who “can’t do cryptics”. Each puzzle uses only 5 clue types which are explained at the start. A better introduction than the Quiptic, which is often indistinguishable in difficulty to the full cryptic despite being for beginners.
Day 20: ice
Day 19: birthday
Day 18: mood
Day 17: transcendence